Saturday, February 27, 2016

Details... I. Need. Details.

At first glance, one may or may not be able to recognize immediately that this is a poem written about the military life. At least, I know I did not realize it at first. It was not until I went back to reread the directions that I actually realized what the poem was about. The directions said to consider the title of the poem and that was the major clue that helped me decipher the poem. Anyway, let us move to bigger and more important details… Ha-ha, see what I did there with the word details? No? Okay, let us really move on.
To be quite honest, it was difficult for me to find the right poetic device that would adequately put the speaker’s attitude on display. After some thinking, I decided that imagery would be the best device to use. While actively reading the poem, there were many words of imagery that immediately popped out at me such as “guzzling and gulping” (5) and “toddle safely home” (10). This lead me to believe that the writer, Siegfried Sassoon, uses heavy imagery in “Base Details” to show that older soldiers, such as Sergeants and Generals, generally contradict the qualities that normal, young soldiers are supposed to have and they ultimately allow their younger, newer soldiers to be the first to die during a war.
The first place where Sassoon uses imagery to show contradiction is line 1. From the moment the poem says, “If I were fierce, and bald, and short of breath”, a reader should be able to see that this poem is meant to be read as if the person were a younger soldier (1). Now, as we can see, the writer uses very strong visual words, such as fierce and bald, to describe an older soldier. This provides contradiction within the readers mind because of what they think of when they hear the word soldier. For example, whenever someone says that word, I usually think of a young, broad shouldered, fit man who is timid but ready to fight their first war. I do not think of a short, bald man who is indifferent about war because he has fought so many. These visual words contradict the preconceived notion that soldiers are supposed to be, well, attractive. This sentence is basically the driving force of the poem because it kind of tricks the reader into thinking that being an older soldier is much better than being a younger soldier.
In the second half of the poem, around lines 9 and 10, Sassoon transitions and uses imagery to show that the older soldiers lead their younger soldiers to their deaths and ultimately do not have those soldiers’ best interests in mind. If you look at line 9 where it says, “when the war is over and the youth stoned dead,” the poem almost blatantly tells you that the younger soldiers are easy targets and are almost immediately killed (9). Take the word “stoned” for example. When someone is being stoned, they are purposely fully exposed which makes it easier for them to be stoned. In translation, this means that the younger soldiers are placed in the front line on purpose, fully exposed in order for them to be the first to die. If one also looks at line 10, where the poem says, “I’d toddle safely home and die – in bed,” this shows that the older soldiers would rather let the younger soldiers die first just so they can go safely home, unscathed to be with their families (10). The older soldiers do not have their young soldiers’ best interests in mind, but rather, their own personal interests. They would rather be “guzzling and gulping in the best hotels” instead of making sure they try their hardest to save their fellow soldiers.
Overall, Siegfried Sassoon uses heavy imagery and the sarcastic voice of a young soldier to show that older soldiers do not really care about the well-being of their younger soldiers. It kind of gets readers to think about what is really going on at those military bases. We think that soldiers get everything they need and are really cared for but in reality… is that really true?